All That Glitters needs edit

All That Glitters needs edit

All That Glitters

Genre:   Sitcom

Created by:  Norman Lear

Directed by:  James Frawley
Herbert Kenwith

Theme music composer:  Alan Bergman
Marilyn Bergman

Opening theme:   "Genesis Revisited" performed by Kenny Rankin

Composer(s):   

Ray Brown
Bobby Knight
Shelly Manne

Country of origin:     United States

Original language(s):     English

No. of seasons:    1

No. of episodes:    65
Production

Producer(s):  Norman Lear
Stephanie Sills

Camera setup:  Multi-camera

Running time:   25 mins.

Production company(s):  Norman Lear/Tandem Productions

Distributor:   Sony Pictures Television
Broadcast

Original channel:   Syndicated

Audio format:  Monaural

Original run:   April 18, 1977 – July 15, 1977

All That Glitters is an American situation comedy television series by producer Norman Lear. It consisted of 65 episodes and aired between April 18 and July 15, 1977 in broadcast syndication. The show, a spoof of the soap opera format, depicted the trials and tribulations of a group of executives at the Globatron corporation. The twist of the series was that it was set within a world of complete role-reversal: Women were the "stronger sex," the executives and breadwinners, while the "weaker sex" – the men – were the secretaries or stay-at-home househusbands. Men were often treated as sex objects.

The series features Eileen Brennan, Greg Evigan, Lois Nettleton, Gary Sandy, Tim
Thomerson and Jessica Walter. Comic actor and cartoon voice artist Chuck McCann was also a regular. Linda Gray played transgender fashion model Linda Murkland, the first transgender series regular on American television.

Before and after its premiere, All That Glitters was negatively received and the series lasted just 13 weeks.

Production

All That Glitters was series creator Norman Lear's attempt to duplicate his success with the syndicated soap opera spoof Mary Hartman, Mary Hartman. Lear described the premise simply: "God created Eve first, took out her rib and gave her a companion so she wouldn't be lonely." Lear came up with the idea on a trip to Washington, D.C.:

    "I had visited the Institute of Policy Studies, and I just loved the whole thing.

And I thought there was a series in it—a five-times-a-week series: I went to bed
thinking about that, and I woke up the next morning thinking what would happen if the male-female equation were changed? What would happen if the women had all the power and all the advantage, and the men had what the women normally would have?”

The world of All That Glitters had always been female-dominated but Lear also used the series to comment on changing sex roles in the United States in the 1970s.

Former Major League Baseball player Wes Parker almost literally walked into his role.

He was doing play-by-play reporting for a Los Angeles television station owned by
Lear's partner, Jerry Perenchio. "Lear casually asked if I'd be interested in the 
part. I said yes, but knew it was out of the question, because in real life things 
don't happen that way. Nobody walks in and gets on a Norman Lear show. I read for the part, got it and didn't sleep at all that night." Linda Gray was somewhat 
non-plussed upon being offered the role of transgender Linda Murkland. "I remember meeting Norman and him saying, 'You'll be perfect for the role.' I didn't know whether to take that as a compliment or what." To prepare for her role, Linda Gray asked Lear to arrange for her to meet with a transgender woman. Gray met with her for several hours prior to the beginning of filming and on a couple of occasions during 
production. Lois Nettleton reportedly based her characterization of Christina 
Stockwood on Clark Gable. Production started in early March 1977 with director 

Herbert Kenwith.

In test screenings prior to its premiere, reaction to the show was sharply divided.

According to executive producer Stephanie Sills, the strongest negative reaction came from male executives. "They didn't mind being portrayed by women. It was simply that they detest the way we depicted them." Feminists were uncertain how to react to the series, with some being concerned that audiences would not perceive the show as satire but as an attempt to represent how a female-dominated society would actually operate. Lear marketed the program through his company, TAT Syndication.The series ran five nights a week.

Cast

    Barbara Baxley – L.W. Carruthers, President of Globatron

    Eileen Brennan – Ma Packer

    Vanessa Brown – Peggy Horner, Globatron executive

    Anita Gillette – Nancy Langston, Globatron executive

    Linda Gray – Linda Murkland, model

    Jim Greenleaf – Jeremy Stockwood, Christina's son

    David Haskell – Michael McFarland, Andrea's boyfriend

    Chuck McCann – Bert Stockwood, Christina's husband

    Lois Nettleton – Christina Stockwood, Globatron executive

    Wes Parker – Glenn Langston, Nancy's husband

    Gary Sandy – Dan Kincaid, Globatron secretary

    Louise Shaffer – Andrea Martin, lawyer

    Marte Boyle Slout – Grace Smith, Globatron executive

    Tim Thomerson – Sonny Packer

    Jessica Walter – Joan Hamlyn, agent


Critical reaction

All That Glitters debuted the week of April 18, 1977 on about 40 stations in late-night syndication. It was poorly critically received, with one reviewer going so far as to call the show's theme song "blasphemous" for suggesting that God was female and created Eve first.[12] Time magazine sharply criticized the series, calling it "embarrassingly amateurish", with "flaccid" and "wearying" jokes, flat writing, "mediocre" acting and "aimless" direction.[1] The Wall Street Journal concurred, saying that while the series' role-reversal premise may have been adequate for a play or film, it was too limiting to serve as the basis for a continuing series. These 
limitations showed up most clearly, the Journal says, in the lead performances. 

Although praising the performers themselves as talented, they are cited for being "unable to infuse much life into their roles". The Journal pegs the fundamental problem with All That Glitters as that "its characters are not people at all, merely composites of the least attractive characteristics of each sex. The satire focuses not on the way real, recognizable people behave, but on stereotypes and cliches about masculine and feminine attitudes. Even when stood on their heads, they still remain stereotypes and cliches."

New Times Magazine was much more receptive to the series. Although labeling it "unquestionably the weirdest [show] that Lear has ever produced", New Times found that the series was not "a satire of mannerisms but of attitudes".[3] All That Glitters required that viewers watch closely to pick up on the subtleties and nuances, "not so much for what the show says, but for the way that it's said".

All That Glitters, after initially capturing 20% of viewers in major markets in its
opening weeks, had lost about half of that audience mid-way through its run. The series was cancelled after 13 weeks, last airing on July 15, 1977. Although the show was panned, it and Lear, along with Mary Hartman, Mary Hartman, are credited with expanding the subject matter that television producers were able to explore with lessened fear of antagonizing sponsors or viewers.

In the years since the series, it has garnered something of a positive reputation,

with one critic listing it and other Lear efforts as "imaginative shows that contained

some of the most striking satires of television and American society ever

broadcast".[15]

While the show itself was unsuccessful, it did spawn a hit song. "You Don't Bring Me

Flowers", which had been written with the intention of its being the theme song, was

recorded by Neil Diamond and Barbra Streisand and made it to #1 on the Billboard Hot

100. By the time the show made it to air, another song had been chosen as the

theme.[16] The replacement, "Genesis Revisited", was later described by the New York

Times as "sparkl[ing] with witty rhymes and a punchy good humor".[17] The song was

performed by Kenny Rankin. The lyrics for both songs were written by Marilyn Bergman

with music by Alan Bergman.[9]
Notes

    Clarke, Gerald (1977-04-25). "Eve's Rib and Adam's Yawn". TIME. Archived from the

original on 15 December 2008. Retrieved 2008-11-25.
    Stein, p. 177
    Nadel, Gerry (1977-07-08). "All in his Family". New Times Magazine. Archived from

the original on 5 January 2009. Retrieved 2008-11-27.
    Sharbutt, Jay (1976-10-29). "Women dominate new show in pattern of 'Mary

Hartman'". Chillicothe Constitution-Tribune (Associated Press). p. 13.
    Leggett, William (1977-05-09). "Gold Glover Snags A Big Role". Sports Illustrated.

Retrieved 2008-12-01.
    Stanford, Peter (2001-10-20). "How do I look? Actress Linda Gray doesn't mind

appearing nude on stage". The Independent. Retrieved 2008-12-01.[dead link]
    Bocchini, Paul (1999). "Scene-stealer Linda Gray". FAB National magazine #16. pp.

56–57, 76.
    Brown, Les (1977-03-08). "Norman Lear plans summer replacement for Mary Hartman,

Mary Hartman TV...". New York Times Abstracts (New York Times Company). p. 63, col. 1.
    "All That Glitters - More Credits For 'All That Glitters'". New York Times. New

York Times Company. Retrieved 2008-12-02.
    Television/radio Age, p. 38
    "All That Glitters - Full Acting Credits". New York Times. New York Times Company.

Retrieved 2008-12-02.
    Fulkerson, Perry (1977-04-16). "All That Glitters Tarnished". The Evening

Independent. p. 46. Retrieved 2008-11-27.
    Adler, Richard P. (1977-06-11). "'All that glitters' premise limiting". The Pocono

Record (Wall Street Journal). p. 25.
    Hilliard, p. 43
    Kellner, p. 59
    "Alan and Marilyn Bergman on Songwriting: Part 1". American Society of Composers

and Publishers. November 1996. Archived from the original on 12 December 2008.

Retrieved 2008-12-01.
    Holden, Stephen (1995-01-24). "POP REVIEW; Retro Retrospective of Movie Songs".

New York Times. Retrieved 2008-11-27.